Published 2006 by Bulfinch Press, Hachette Book Group USA

ABOUT OUR BOOK:

Exquisite Corpse is a hypothesis, built from a wealth of visual and factual material. Unlike others who have preceded us, we make no definitive claim to solve the murder of Elizabeth Short, otherwise known as the Black Dahlia murder of 1947. We do suggest that clues about this crime may have been hiding, for decades, in plain sight.

Exquisite Corpse presents the theory that Elizabeth Short's murder may have been informed by surrealist art, and that the killer was familiar with surrealist art and ideas. It also proposes that art created after the murder may have made veiled references to it.

Our book generally supports Steve Hodel's best-selling book Black Dahlia Avenger, which proposes that George Hodel, the author's father, was the killer. We take exception to some of Steve Hodel's claims in Black Dahlia Avenger, however. For instance, his attribution to his father of many other murders is provocative but highly questionable, in our view. In addition, neither of us believes that the unidentified women pictured in his father's photo album are Elizabeth Short.

Foremost, our book asserts that this gruesome but precisely executed murder may have been a deranged attempt to imitate motifs in surrealist art. That said, we do not believe that Man Ray, Marcel Duchamp, or any other surrealist artist was directly responsible for the murder, or that the killer himself was an artist.

Surrealism was a fascinating and wide-ranging art movement, filled with wonderful and strange imagery. The Black Dahlia's possible connection to it is a small chapter in surrealism's history, another testament to this art's irrepressible and revolutionary allure.


ONLINE CONTENT:

Downloadable recordings of Mark Nelson's
StoryCorps conversations with George Hodel's
grandson Joshua Hodel Spafford
Part 1 (Large file: 38.3mb) Part 2 (Large file: 40.7mb) Part 3 (Large file: 41.8mb) Part 4 (Large file: 37.6mb) Part 5 (Large file: 41.3mb)

This downloadable PDF documents presents an
argument for the importance of a recently discovered document
George Hodel / Cement Sack

This downloadable PDF documents the
relationship between Man Ray and George Hodel
Man Ray / George Hodel

This downloadable PDF documents
George Hodel's Surgical Experience
George Hodel / Surgical Experience

This downloadable PDF documents
Hodel discussing his own surrealist photography
George Hodel / District Attorney Transcript p. 95


PRESS:

National Public Radio The "Three Books" Series: "Three Grisly Tales of Love and Death in Tinseltown," by Paula Uruburu; Online: October 21, 2010 NPR

Art In America "Surrealism to Die For," by Peter Plagens; Online: April, 2009; Print edition: April 2009, pp. 47-50

Vanity Fair "California Dreamgirl," by Sheila Weller; Online: December, 2007, pp. 1-2; Print edition: December 2007, pp. 359-361 Vanity Fair

MCAD Magazine (Magazine of the Minneapolis College of Art and Design) "A Sharp Eye" by Kim Zimmerman; Print edition: March 2007, pp. 12-13

Art & Australia "Ingrid Periz on Exquisite Corpse," (Short Book Review); Print edition: Volume 44, No. 3, Autumn 2007, p. 44

Artforum "A Bright Guilty World: Daylight Ghosts and Sunshine Noir," by J. Hoberman, Online: February, 2007, p. 5; Print edition: February 2007, p. 315 Artforum

The Village Voice "Top Shelf: Our 25 Favorite Books of 2006," Online: 22 December, 2006; Print edition: 27 December, 2006 - 2 January, 2007, p. 46 The Village Voice

Modern Painters "An Excellent Cadaver," by Ed Park,
November 2006, pp. 48-50 The Dizzies (Ed Park Blog)

The New Republic "Deathworks," by David Thomson,
Online: 15 September 2006; Print edition: 25 September 2006,
pp. 37-41

The Independent "Film Studies: Who killed the Black Dahlia?,"
by David Thomson, 10 September 2006 The Independent

Los Angeles magazine "Living with the Black Dahlia:
The Murder that Changed Los Angeles," by RJ Smith,
September 2006, p. 242

ARTnews magazine "Body of Evidence," by Sarah P. Hanson,
September 2006, p. 44


EVENTS:

None currently scheduled

PAST EVENTS:

Barnes & Noble Booksellers Park Slope
267 7th Avenue, Brooklyn, New York 11215
Thursday, 19 October, 2006 (7:30 pm)


POSTS:

Wednesday, November 28, 2007

Denise Bellon: Surrealist archetypes; Michelle Phillips: California Dreamgirl

Mark Nelson and Sarah Hudson Bayliss
Exquisite Corpse: Surrealism and the Black Dahlia Murder

In Exquisite Corpse, we argue that the lateral sectioning of the body and upraised arms bent at the elbows were part of a set of mix-and-match motifs used by Surrealists in their depictions of women in the decades before and after the murder of Elizabeth Short. With that in mind, we submit the following:

From September 14 through October 30 of this year Le Fond Photographique Denise Bellon and the Galerie Nuitdencre 64 presented Nus et Désirs: Photographies de Denise Bellon 1935–1959, a well-deserved exhibition of the work of the French photographer Denise Bellon. Bellon's photographs are among the most important documents in the history of Surrealism, appearing frequently in books about the movement, including our own (see pp. 39-40). On the cover of the book that accompanies the exhibition is an image taken by Bellon in the late 1950s. Part of a series she created using a live model in her studio, the image shows Bellon's own understanding and use of the aforementioned motifs.




On an unrelated note, we received a nice mention from Sheila Weller in "California Dreamgirl," her piece on Michelle Phillips in this month's issue of Vanity Fair. Phillips is a lifelong friend of Tamar Hodel and she discussed that friendship (as well as her meeting Tamar's father, George) with Weller for the article. We've attached a link to the online version in the "Press" section of this blog.

Mark Nelson and Sarah Hudson Bayliss

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